Essays “Architecture and Interiors” in The Cultural History of Colour: The Renaissance, ed. Sven Dupre and Amy Buono, Bloomsbury, 2021. “What Drawings Did in Renaissance Italy,” in The Companion to Early Modern Architecture, ed. Alina Payne, Blackwell Press, 2017, 1-32 “Un humanista italiano en Sevilla: Ciudades, Arquitectura y Paisaje,” in Los Jardines del Real Alcázar de Sevilla. Historia y Arquitectura desde el Medievo islámico al siglo XX, eds. Ana Marín Fidalgo y Carlos Plaza, Seville, 2015, pp. 84-101 “The High Renaissance,” in Architecture: The Whole Story, ed. Denna Jones,Thames & Hudson, 2014, 196-203 “Designing What You Cannot Draw: Michelangelo and the Laurentian Library,” in Michelangelo und die Sprache der Architekturzeichnung/Michelangelo e il linguaggio del disegno di architettura, ed. Alessandro Nova and Golo Maurer, 2012, pp. 153-68 “The Laurentian Library: Affect, Music, and Architecture,” in Das Auge der Architektur. Zur Frage der Bildlichkeit in der Baukunst, eds. Matteo Burioni, Johannes Grave and Andreas Beyer, Munich, 2011, pp. 321-52 “Drawing in the Void: The Space between the Sketchbook and the Treatise,” Festschrift for Howard Burns, edited by Maria Beltramini and Caroline Elam, Scuola Normale Superiore di Pisa, 2010 “Michelangelo, Architecture, and the Stingray,” in Subject as Aporia in Early Modern Art, eds. Lorenzo Pericolo and Alexander Nagel, Ashgate, 2010 “Figura e Architettura nei Disegni di Michelangelo.” Michelangelo: Disegni di architettura, ed. Caroline Elam, catalogue and exhibition, Centro Internazionale di Studi di Architettura Andrea Palladio,Vicenza and Fondazione Casa Buonarroti, Florence (Marsilio, 2006), pp. 81-93 “Reconstruction as Design: Giuliano da Sangallo and the ‘Palazo di Mecenate’ on the Quirinal Hill”, Annali di architettura 14 (2002): 55-7 “Architecture, History, Archeology: Drawing Ancient Rome in the Letter to Leo X and in Sixteenth-Century Practice,” in Coming About…A Festschrift for John Shearman, ed. Lars Jones and Louisa Matthew (Harvard University Art Museums, 2002), 135-40 Architecture, Texts, and Imitation in Late Fifteenth- and Early Sixteenth-Century Rome, in Architecture and Language, ed. Georgia Clarke and Paul Crossly, (Cambridge University Press, 2000), 82-101 “The Renaissance Reception of the Alhambra:The Letters of Andrea Navagero and the Palace of Charles V,” Muqarnas, vol. 11 (1994): 79-102 Catalog Entries “Cappella Sistina” and “Lo studio dell’antico e dei monumenti romani attraverso le copie di Michelangelo dal Codice Coner,” in Michelangelo architetto a Roma: disegni dalla Casa Buonarroti di Firenze, ed. Mauro Mussolin (2010), pp. 80- 83 and pp. 90-93. Seven catalogue entries on drawings by Michelangelo for Michelangelo: Disegni di architettura (Marsilio, 2006), pp. 164- 65; 176-78; 187-90; 207-9 Interviews “There is No White Culture in this Country,” An interview with James Alan McPherson, The Iowa Review, 2018, 177-194 “‘A Way Must Be Found to Broaden Our Perspective’: James Ackerman in Conversation with Cammy Brothers,” Art Bulletin 94 (2012): 362-67 Opinion Piece “A Teachable Moment from the University of Virginia,” Boston Globe, June 29, 2012 Share this: Click to share on X (Opens in new window) X Click to share on Facebook (Opens in new window) Facebook Like Loading...
cammybrothers.com 